2012-03-31




LB / BlogPress / iPhone




LB / BlogPress / iPhone

Rien dans les poches






Laurie Anderson, "Rien dans les poches (Nothing In My Pockets)" (2006), un journal intime sonore en 2 parties d'une heure, coproduit et diffusé par France Culture.

Na srebrnym globie

Klaus


Qui est Klaus Mann ? par editionslibella

Spézet

One tiny withdrawal at a time, Spezet village in France's rural Brittany region is battling to save its cash dispenser from bank cost-cutting in the face of the global financial crisis.
"We couldn't care less if it's a Credit Agricole cash dispenser or some other. What we want is a dispenser: it's a question of public utility," said retiree Youhenn Le Fur, a member of Spezet's Cash Dispenser Defence Committee.
"We hope we'll keep it," added mayor Gilbert Nigen. "Everyone's aware that the dispenser is indispensable. There are lots of shops in Spezet, it's disappearance would be a real problem."
Spezet (1,915 inhabitants) used to have a branch of Credit Agricole bank, which first cut its opening hours, then shut down completely, although its ageing cash machine still functions.
Without it, villagers, many of them elderly, would have to travel by car to the town of Chateaulin, 32 kilometres (20 miles) away, to withdraw cash.
A village request for a cash machine at the local post office, itself previously threatened with closure, was rejected. But the unbowed villagers formed a defence committee and took the battle to the bank itself.
Demonstrations outside a bank in nearby town Carhaix, where inhabitants recently succeeded in keeping their threatened rural hospital alive, forced Credit Agricole to grant the cash machine a stay of execution.
"We proposed to the village either to split the costs of the cash machine 50-50 or, after discussions, to require 30,000 withdrawals a year," said Credit Agricole's network manager Charles Le Durant.
An unknown number of villagers have bank cards, but those who do are now withdrawing at least three times a week -- getting small amounts of 20 or 30 euros at a time in order to reach the annual target.
Credit Agricole's Le Durant has been tallying withdrawals since mid-2011 and said the target of 30,000 withdrawals should be reached by May or June.
"The population's passion for this service means the operation is set to succeed," he admitted.

By AFP | AFP – Wed, Mar 28, 2012

Mopsa


R/esistenze lesbiche nell'Europa nazifascista / a cura di Paola Guazzo, Ines Rieder, Vincenza Scuderi, Ombre Corte, 2010
Paola Guazzo
http://lanuovatowanda.blogspot.fr/
http://resistenzelesbiche.blogspot.fr/
http://eiearttakethatandrobbhi.blogspot.fr/2010/09/im-guy-where-can-i-go-get-my-eyebrows.html

Ines Rieder arbeitet an einer Biographie über Mopsa Sternheim
http://www.univie.ac.at/Geschichte/Neuverortung-Geschlechtergeschichte/cms/images/pdfs/kurzbericht_spracheunderinnerung.pdf

2012-03-30

Oh What a World


Rufus Wainwright - Oh What a World

What is a nenette ?


www.nenette.tm.fr

2012-03-29

Angel Mine














afterbite.tumblr.com
BlogPress / iPhone

2012-03-28

When did you leave Heaven?



When did you leave Heaven?
Why did they let you go?
How's everything in Heaven?
I'd like to know
Why did you trade Heaven
For all these earthly things?
Where did you leave your halo?
Where did you lose your wings?

If I kissed you
Would it be a sin?
Will they miss you?
Can you get back in?

I am only human
But you are so divine
When did you leave Heaven
Angel mine?

When did you leave Heaven
Angel mine?

Tony Martin "When Did You Leave Heaven"
From the movie: "Sing, baby, sing", 1936

2012-03-27

Ouverture


Ouverture
Étienne Daho
Paroles: Etienne Daho
2000 "Corps et Armes"

Il n'est pas de hasard,
Il est des rendez-vous,
Pas de coïncidence,
Aller vers son destin,
L'amour au creux des mains,
La démarche paisible,
Porter au fond de soi,
L'intuition qui flamboie,
L'aventure belle et pure,
Celle qui nous révèle,
Superbes et enfantins,
Au plus profond de l'âme.

Portée par l'allégresse,
Et la douceur de vivre,
De l'été qui commence,
La rumeur de Paris,
Comme une symphonie,
Comme la mer qui balance.

J'arrive au rendez-vous,
Dans l'épaisse fumée,
Le monde me bouscule,
Réfugiée dans un coin,
Et observant de loin,
La foule qui ondule,
Mais le choc imminent,
Sublime et aveuglant,
Sans prévenir arrive.

Je m'avance et je vois,
Que tu viens comme moi,
D'une planète invisible,
Où la pudeur du cœur,
Impose le respect,
La confiance sereine
Et plus tu t'ouvres à moi,
Et plus je m'aperçois,
Que lentement je m'ouvre,
Et plus je m'ouvre à toi,
Et plus je m'aperçois,
Que lentement je m'ouvre.

Il fut un long le chemin,
Et les pièges nombreux,
Avant que l'on se trouve,
Il fut un long le chemin,
Les mirages nombreux,
Avant que l'on se trouve.

Ce n'est pas le hasard,
C'est notre rendez-vous,
Pas une coïncidence.

Age d'or



Les archevêques chantaient
Un monde que nous voulons changer
http://www.vertetplume.com/blog/mais-y-a-t-il-du-nouveau-oui-ou-non/
L'Âge d'or, Luis Buñuel, Salvador Dalí, 28 novembre 1930.

Pope Benedict XVI (L) and Cuba's President Raul Castro stand together after the Pope's arrival in Santiago de Cuba March 26, 2012. The Pope landed in eastern Cuba on Monday for a three-day visit to showcase improving Church-state relations and push for a larger Church role at a time of change on the communist island.
Credit: Reuters/Desmond Boylan

2012-03-26

La mer


Ange Leccia, La mer, 1991
jeanvincenti / Youtube

Le jour des meurtres dans l'histoire d'Hamlet



Ange Leccia, Annabelle Hettmann
annahettmann / Youtube

Anatomie



L’Anatomie selon le Docteur Auzoux - http://www.dejeunesgensmodernes.com/2011/11/lanatomie-selon-le-docteur-auzoux/
Visscher, Claes Jansz. (II), Vera anatomiae Lugduno-Batavae cum sceletis et reliquis quae ibi extant delineatio, Leiden, 1644, Universiteitsbibliotheek Leiden -
http://www.geheugenvannederland.nl/?/en/items/UBL01:P315-3N017

Guide du Paris surréaliste




http://editions.monuments-nationaux.fr/fr/le-catalogue/bdd/livre/795

2012-03-25

林英哲


林英哲 Eitetsu Hayashi



BlogPress / iPhone

Navel Stone



Omphalos, Ombilic du monde

2012-03-24


self-government.tumblr.com

2012-03-23

Machine aérostatique


http://www.archivesdefrance.culture.gouv.fr/

aroid / Flickr

2012-03-22

www.limpossible.fr


www.limpossible.fr
Michel Butel

La Jolla




Guy Rose, La Jolla
Elina Bell, picasaweb

Jossot


http://www.liberation.fr/culture/11011423-jossot-l-insurge#s1

2012-03-20

We're looking for the Big Secret too

Le Grand Combat - The Great Fight
Henri Michaux trans. Richard Ellmann
A R.-M. Hermant

Il l'emparouille et l'endosque contre terre;
Il le rague et le roupète jusqu'à son drâle;
Il le pratèle et le libucque et lui barufle les ouillais;
Il le tocarde et le marmine,
Le manage rape à ri et ripe à ra.
Enfin il l'écorcobalisse.

L'autre hésite, s'espudrine, se défaisse, se torse et
se ruine.
C'en sera bientôt fini de lui;
Il se reprise et s'emmargine ... mais en vain
Le cerceau tombe qui a tant roulé.
Abrah! Abrah! Abrah!
Le pied a failli!
Le bras a cassé!
Le sang a coulé!
Fouille, fouille, fouille,
Dans la marmite de son ventre est un grand secret
Mégères alentour qui pleurez dans vos mouchoirs;
On s'étonne, on s'étonne, on s'étonne
Et on vous regarde
On cherche aussi, nous autres, le Grand Secret.
-

To R.-M. Hermant

He embowerates and enbacks him on the ground.
He raggs him and rumpets him up to his drale;
He praggles him and libucks him and berifles his testeries;
He tricards him and morones him,
He grobels him rasp by rip and risp by rap.
Finally he enscorchorizes him.

The other hesitates, espudates himself, unbrines himself,
twisses and ruins himself.
He'll soon be done for;
He mends and immarginates himself ... but in vain
The hoop which has rolled so far falls.
Abrah! Abrah! Abrah!
The foot's collapsed!
The arm's broken!
The blood's run out!
Dig, dig, dig,
In the pot of his belly there's a big secret
You neighborhood shrews who cry into your handkerchiefs;
We're amazed, we're amazed, we're amazed
And we watch you
We others, we're looking for the Big Secret too.

New Directions Publishing Corp. 1968
http://colecizj.easyvserver.com/pfmicgra.htm
Brindin Press website
www.brindin.com

Sauco


Max Sauco, Mammselfportrate, 2004
www.sauco.ru

Wreck Beach


James Loewen, Wreck Beach

2012-03-19

Travis Louie




Travis Louie
http://travislouie.blogspot.fr/

2012-03-18

Darwin


Peter Greenaway, Darwin, 1992

I arise today



I arise today
Through the strength of heaven.
Light of sun,
Radiance of moon,
Splendor of fire,
Speed of lightning,
Swiftness of wind,
Depth of sea,
Stability of earth,
Firmness of rock.

I arise today
Through God's strength to pilot me.
God's eye to look before me,
God's wisdom to guide me,
God's way to lie before me,
God's shield to protect me.

From all who shall wish me ill,
Afar and anear,
Alone and in multitude.

Against every cruel merciless power
that may oppose my body and soul.

Christ with me, Christ before me, Christ behind me,
Christ in me, Christ beneath me, Christ above me,
Christ on my right, Christ on my left,
Christ when I lie down, Christ when I sit down, Christ when I arise,
Christ to shield me,
Christ in the heart of every man who thinks of me,
Christ in the mouth of everyone who speaks of me.

I arise today

Rita Connolly, The Deer's Cry, arr. Shaun Davey, at Inauguration of Michael D Higgins, President of Ireland, 11 Nov 2011

Valeria Anzaldo, pandroide.tumblr.com

Δημήτρη Παπαϊωάννου










Δημήτρη Παπαϊωάννου Dimitris Papaioannou

Αλέξης Μπίστικας




Alexis Bistikas Αλέξης Μπίστικας

2012-03-16

Hats off



It may be the hand of God,/ It may be the hand of the Devil /Who wove the sky of this beautiful morning/ Planting in its heart / A piece of sun/ Who breaks on water/In thousand vermeil glitters?

Is it the hand of God/ Is it the hand of Devil / Who put on the sea / This strange sailing ship/ Who, similar with the snake/ Seem to unfold itself/Black and white, on blue water/ That the wind makes dance?

Is it God, is it the Devil/ Or both at the same time / Who, for one day, uniting / Made this morning?/ Is this former, is it the latter?/ Actually, I do not know/
But, for so much of beauty,
Thank you, and hats off !

Is it the hand of God/ Is it the hand of Devil /Who put this rose /In the garden here /For which burning love, For which noble lady / This velvet rose /In the garden here? / And these burst plums/ And all these white lilacs/ And these red currents, / And this laughter of children,/ And so beautiful Christine Under her white skirt, / With, with right in the middle/ The shine of her twenty years?

Is it God, is it the Devil/ Or both at the same time / Who, for one day, uniting / Made this spring?/ Is this former, is it the latter?/ Actually, I do not know/
But, for so much of beauty,
Thank you, and hats off !

The sailing ship which flees, /The rose here,/ And these flowers and these fruits, / And our tears of joy…/ Who could offer to us /All these beauties? / Let ‘s pick them without any word./ Hey, it is for you and me.

Is it the hand of God/ and that of the Malevolent/ That for one day uniting/ Crossed our way? / Is this former, is it the latter?/ Actually, I do not know/
But, for so much of beauty,
Thank you, and hats off !
But for you and me
Thank you, and hats off! …

http://leniglu.blogspot.fr/2011/02/merci-et-chapeau-bas.html


Barbara "Chapeau bas"
CABARET DU SOIR
ORTF - 03/01/1959

Divination is prospective memory

Divination is prospective memory
H.D. Thoreau
1840 Feb. 16

1981

2012-03-15

1979



Julie Delpy, Le skylab, 2011

2012-03-14

Tony White ~ "Hokusai - An Animated Sketchbook"



Ajoutée par TonyWhiteFilms le 24 mai 2008
This was my first ever... and still my favorite... short animated film! I created it in my spare time while I was still a director/animator at the Richard Williams Studio in London during the late 1970's. I actually started the film after we had completed 'A Christmas Carol', when I was Richard Williams' own personal assistant at the time. 'Carol' went on to win the first of Dick's three Oscars. When my own 'Hokusai' film won a British Academy Award I moved on to set-up the 'Animus Productions' animation studio... a creative entity I led for a further 20 award-winning years. The film itself was inspired by the wonderful sketchbooks of Hokusai. When I saw them I realized that this artist was indeed a true animator at heart... he just didn't have the knowledge or the technology to be one in his lifetime. I therefore sought to bring his drawings to life for him, as homage to his genius.
Catégorie :
Films et animations
Tags :
Animation shortfilm Katsushika Hokusai Tony White
Licence :
Licence YouTube standard

Putting my foot in it






Les pieds dans le plat, d'après René Crevel
Mise en scène de Pierre Constant
Décor d'Alain Chambon
Création le 4 mars 1981 au Théâtre national de Chaillot (salle Gémier)
Interprètes : Marc Allgeyer, Dominique Brodin, Damiène Giraud, Maria Gomez, Christine Liétot, Jean-François Maenner Jean-Luc Mathevet, Jean-Pierre Pouret, Jean-Louis Robert, Jean-Pierre Rouvellat
En coproduction avec le Théâtre national de Chaillot
Travail musical : Jean Querlier
Costumes : Chantal Rader, avec Nadine Laléouse et Lolette Gregogna
Conseillers chorégraphiques : Georges et Rosy, Rafaël Maldonado-Heredia
Maquillages : Suzanne Pisteur
Construction et régie : Jacques Ballay, Guy Doco
et les ateliers municipaux de La Courneuve
Affiche : Jean-Philippe Bertrand
http://www.centredramatiquedelacourneuve.com/Les%20pieds%20dans%20le%20plat%20fiche.htm

2012-03-13

蛸と海女









蛸と海女 Tako to Ama The Dream of the Fisherman's Wife Le rêve de la femme du pêcheur, Hokusai, 1814
Isabelle Adjani, Sam Neill, ポゼッション Possession, Andrzej Żuławski, 1981